Friday, March 15, 2013

Time

Audio version for those of you who are either too lazy to read, or would rather hear my horrible voice.


I began this blog with a post entitled “Space”, so it stands to reason that I eventually write one named “Time.” Standard Wall O’Text™ warning applies.

How often have you ever asked yourself the question, “What is time?” Well, the bad guy (called Dr Soran) from the film “Star Trek Generations” gives us the wonderfully heartening definition of, “They say time is the fire in which we burn.” Now, I’m being a bit misleading – Soran’s actually quoting from a poem by Delmore Schwartz, but as an archetypal socially-reclusive nerd, I’m honour-bound to cite Star Trek as a philosophical source where possible. Granted, that’s not the best film I could quote from (just think of all the fun we could have with the Moby Dick and King Lear allegories in The Wrath of Khan), however Soran’s played by Malcolm McDowell, therefore naturally all opinions are irrelevant.

We’re getting sidetracked. Back to the matter at hand. Now. I am not very often a ray of sunshine and sparkles in terms of happiness, which I never deny, so you can maybe guess I’ve asked myself that question one too many times. Stop backing away, I am going somewhere with this. I think.

Physics gives us a bunch of empirical answers. The Egyptians first quantified time back in the second millennium BCE. Our unit of the second - each little tick or beep you hear from a watch, a timer, or this irritatingly loud clock on the wall of my office - was first laid down over two thousand years ago by the people of Babylon. The reason we have the rather random number of sixty in a minute, and sixty minutes in an hour, is because the Babylonians used quite a different number system to us. With our numbers, we count 0 to 9, then essentially “reboot” with 10 to 19, and again with 20 to 29, and so forth. Because we reboot every ten numerals, our number system is called Base 10. You use it every day. Next time you’re serving someone at a till, tell them their set of cups is “£2.50 in Base 10”. Brilliant fun. Anyway.

The Babylonians, however, rebooted after sixty numerals. Think about that for a moment. Such a system would be utterly alien to us nowadays – they had an individual numeral and name for the first sixty digits of the number line, rather than lazily making combinations after ten like us. So next time you complain in French class about how to pronounce “trois”, have a bit of sympathy for Babylonian children of millennia gone by. There. Easiest math lesson you’ve ever had. Thank me later.

Why they chose sixty is down to something so extraordinarily simple, something I’m sure you’ve even done yourself (albeit differently) to form a picture of the numerical world in your mind as a child – it’s all because of how they counted on their fingers. Counting each digit on your hands as 1, you can make 10 quite easily. Unless you’ve been playing with fireworks. Don’t play with fireworks, children. I’ve treated someone who had a couple of fingers blown off before. It leaves a terrible mess on the floor and my uniform. Think of the cleaners. The way the Babylonians did it was, they used the bones of the fingers. Look at your left hand. Now back to me. Now back at your hand. Now back to me. And I’ll stop that there. You’ve got three of them per finger, so twelve in total. We’re not counting with the thumb on this hand. They used the thumb of that hand to point to each bone in turn, counting each as 1. Every time 12 was reached, they would extend a digit on their other hand. Every digit on the other hand meant “multiples of 12”. They had and you hopefully have five digits on the other hand (Babylonians weren’t known for their reckless uses of gunpowder), 12 x 5 = 60. Quod erat demonstrandum. Patronising lectures to you all in both mathematics and ancient history, with gratuitous Latin. Ladies, please direct all dating requests to the comments section.

Blargh. Naturally, I start a post with the intention of discussing one thing, and end up rambling about something completely different. Back to time. That’s all well and good. We can quantify time. But time isn’t just a quantity, it’s a dimension. Sort of. Let’s not get into a discussion of the physics behind it, because that involves a pile of nasty maths and things called light cones… and I’m a chemist, we prefer just to fudge everything until something breaks the trend. Suffice to say, in addition to your up, down, left, right, forward, and backward, you also have past and future, backward and forward in time. We are in constant motion in one direction along this axis, and circumventing that to actually travel in time is (perhaps luckily) only within the realm of science fiction. There’s no symmetry. This concept was created by Arthur Eddington eons ago, and is called “time’s arrow.” So that adds a little more to our picture. We know how much time there is, and where it’s going. But where did it come from?

I’ll spare you a lengthly lecture on the Big Bang. This is the twenty-first century. Unless you’re from the Amish community, in which case, why on Earth are you on the Internet reading a blog, you probably know what the Big Bang theory is. Not the television show. At the very least, you’re bound to have watched at least one documentary on it in your life, be it Carl Sagan’s Cosmos series that I watched re-runs of as a child, or maybe more recently, you’ve watched one of the many productions by Brian Cox in which he’ll have described it all to you in this strangely… pausing manner, while gesturing… at a desert… to explain the awesome power that deserts have, in metaphorical terms to… express whatever point you’re trying to make. Did you read that in his voice? I apologise to those of you listening to my horrible impression in the audio version. I am Northern Irish. A Mancunian accent is naturally not among my vocal repertoire. But you know what I meant.

Accepted theory states that time began at the instant of the Big Bang. If that’s raising a few niggling qualms in your head, good. I like it when science does that to people, it’s how we get new theories. Most of these new theories nowadays involve the existence of a multiverse – essentially a giant water tank in which our universe is but one bubble. Let’s hope there are no sharks. That should solve that paradox that’s currently confusing your brain – “If there was no time before the Big Bang, how did it ever start”? So, we’ve got numbers, we’ve got directionality, we’ve got a mysterious origin story, but what does time look like?

Some argue that time is circular. Perhaps it is. But I believe that it all depends on the fate of the universe. A few decades ago, many physicists believed our universe would eventually stop expanding, and contract in on itself, thus collapsing everything back into a singularity, ending time, and closing the metaphorical circle, which may or may not begin anew. However science has moved on since then, and we now know that the universe is instead completely bonkers. It’s still expanding alright, but it’s getting faster, not slower. So that ballses things up a bit for the concentric community. Under current thinking, barring some sort of multiversal catastrophe, the universe can end one of two ways. One, it keeps expanding forever, until galaxies are so far apart that they all eventually just die and decay in the cold. Two, it expands so far, so fast, that space itself rips apart – the bubble bursts – like a balloon stuck to the gas canister. In the first one, the universe keeps existing, just with nothing in it but stray photons; and in the second one, the universe explodes. Neither offers much in the way of circularity. And don’t worry, children, you can sleep easy. The universe isn’t going to explode this evening. I think. Personally, I don’t like to give time a shape. In my mind, time is boundless and relative. But what do I mean by relative? Well now, that is a kettle of fish indeed, so if you don’t like fish or kettles… well… you just don’t have much of a life, do you.

Relativity. That thing you always hear them talk about when Einstein is mentioned. Relativity basically means time passes at different rates depending on how fast you’re going, or how much gravity’s in the area. If you travel really fast, or a lot of gravity’s getting (to use the modern vernacular) all up in your shit, time will pass slower for you. Also, you may want to stay away from the bathroom. I don’t know what gravity wants with your shit, but I doubt it will look pleasant. There’s also stuff about mass and energy converting into each other, but that’s getting too much into it. Satellites up in space experience less gravity than us peons down here on the surface, so they actually have to have corrections applied to their chronometers every so often so your GPS doesn’t send you into a volcano caldera instead of the M2, or so your television doesn’t show you “Strictly Come Dine With Master X Factor Chef Kitchen Dancing, Get Me Out of Here”, or whatever the hell you all watch, at the wrong time. It’s really quite cool. I’m not making it sound that way, my brain to keyboard converter apparatus is horribly underfunctional, but believe me, it is cool.

So, a planet with a bigger gravitational field than ours will experience time slower than us. A planet orbiting much quicker than us will experience time slower than us. The differences will barely be more than microseconds, but they’re still differences. Things get noticeable when you get up to the level of black holes. Gravity really comes into play there, so much so that if you’re at the event horizon (the hole) of a black hole, time should essentially stop for you. But Karl, you temporally scaremongering hoodlum, you. I hear you say. I’ve been to space. I didn’t feel any different. And quite rightly so. You wouldn’t. Because this is unfortunately where I have to bring in the sporting science, biology.

Your brain has evolved with relativity in mind. Your experience of this universe will only ever happen as quickly as your brain computes it. In fact, let’s have a computer analogy, because I haven’t done one of those yet. If you’ve ever used a really old computer, you’ll know that it takes a while to load something. If you try to run Microsoft Word on a system with mid-1990s RAM and processor speeds, it’ll take whole geological eras simple to render that god-awful paperclip, but it will do it (unless it overheats, but that’s just being pedantic), it just takes longer. Likewise, if you’re travelling at 90% of the speed of light in your little shuttle while playing video games, your brain will still render the image your eyes are receiving of Super Modern Mario Black Ops World of Duty Warfare 2 or whatever you’re playing. I could have made that sound rather bad if I transposed some of those words. It’ll just render it slower, but since you can only experience things once they’re processed, to you it’ll all still feel normal and happy. You just might get a little confused when you drop of out of hyperspace FTL star warp and find that 9000 years have passed in the time it took you to finish “World 1-5: Ramirez’s Castle”.

I get the feeling this is dragging on, so I may start to wrap things up. Partly because it’s now eight o'clock, and I should probably go home.

The eagle-eyed among you may have noticed that I didn’t answer my initial question. Congratulations. The more psychoanalytical among you may have noticed that I never intended to answer my initial question. Although if you’re psychoanalytical, I don’t feel comfortable with the idea of you reading my things – go away. Anyway. This is because the question is essentially unanswerable. We can describe time empirically, and that’s what I’ve done over the course of this horror – I’ve told you how it’s measured, how it moves, where it may or may not end up, and how you interact with it, but I haven’t given you anything substantial. It’s like explaining a colour to a blind person. I can tell them things that are that colour, I can tell them what the colour looks like in relation to other colours, I can even explain the scientific principles behind light absorption and reflection. But that won’t tell them what it looks like, it won’t let them form a mental picture of that colour, because they’ve never experienced it. And conversely, time is a person behind the curtain of reality. Doing a lot of work, keeping the show moving forward, but never actually showing its face. And stealing all the food at the after party.

For an ironically circular book-end, I’ll leave you with another quote from the same Star Trek film. Later in the film, Captain Picard muses on Soran’s view of time, saying, “Someone once told me that time was a predator that stalked us all our lives, but I rather believe that time is a companion who goes with us on the journey and reminds us to cherish every moment because they'll never come again. What we leave behind is not as important as how we've lived. After all, Number One, we're only mortal.”

And naturally, if you’re going to derive philosophy from anything in this universe, you could do a lot worse than Jean-Luc Picard.

Carry on.
~Karl.

Wednesday, January 30, 2013

Audio (2 of 2)

Well, yes, the “tomorrow evening” bit kind of backfired a little. Shush. Stop looking as if you actually expected me to post something when I said I would. Anyway, yes, where was I…



Have You Ever Seen the Rain - Creedence Clearwater Revival (Pendulum, 1970)

http://www.youtube.com/watch?v=J5_Y22aDaY0&hd=1

This song is sublime. I never did quite understand the origins of that word. Aren’t all limes created equal? Or are some more equal than others? Anyway. If it’s bad weather outside, listen to this song. If it’s good weather outside, listen to this song. If you’re in a bad mood, it will cheer you up 90% of the time. If you’re in a good mood, well, you don’t need statistics. You may find yourself having to resist the urge to sing along.


The Way It Is - Bruce Hornsby and the Range (The Way It Is, 1986)

http://www.youtube.com/watch?v=7QHTFXySVAo&hd=1

And we’re jumping back up to the 1980s again. In contradiction to my previous choice, this track isn’t quite as happy. In fact, it’s pretty much a song about how the world isn’t all flowers and sunshine. So it’s just about the entire polar opposite. It’s also got a brilliant piano score (which I have badly attempted several times on the keyboard), and is oddly reassuring if you haven’t had the best of days. One good example of what happens when you try to mix piano and rock.


Pop Song 89 - REM (Green, 1988)

http://www.youtube.com/watch?v=J1SY32voDbA&hd=1

As mentioned previously, REM are my favourite band, therefore if a track of theirs didn’t crop up here somewhere, one might have grounds to question my sanity. But you’ll try in vain. I haven’t had any for years! Mwa ha ha ha. Anyway, where was I. As also mentioned previously, I have been following the policy of “one track, one artist” in this list, therefore you can logically deduce that my newly crowned favourite song is not in fact by my favourite band, it’s actually from my second-favourite. I thought this was a nice little anomaly, and that only made me stick with my choice even more. I’m rambling. Pop Song 89. Mention REM to people, and they’ll come back with one of three things - “Everybody Hurts”, “Losing My Religion”, or “It’s the End of the World As We Know It”. They have more songs than this, and much more happier sounding ones than the first two there. Don’t get me wrong, It’s the End of the World As We Know It is hypercompressed awesomeness in many ways (and I even know 84% of the lyrics), but I’m not putting it as my favourite REM track. There are many other options. Green itself is a rather underloved album. It did have a bit of an irritating political vibe to it, but still some good tracks nonetheless, this being one of them.

A note on the music video. Yes, there are topless dancers. The version here on YouTube does not appear to be censored, but when televised it obviously was. MTV had asked Michael Stipe to block out the “mammalian appendages” (my words, not theirs) of the female background dancers. Stipe proceeded to do so, but also blocked out his own chest (which he was not asked to do), stating “a nipple’s a nipple.” Respect. Other less ingrained honourable mentions by REM include “Driver 8”, “Hollow Man”, and “Überlin.”


Immigrant Song - Led Zeppelin (Led Zeppelin III, 1970)

http://www.youtube.com/watch?v=8GMxOBE4E5w&hd=1

This is quite simply an awesome track. In the unlikely event I find myself having to engage in some dramatic action-filled rescue, or engage a horde of zombies armed with only a revolver, this is the track I would want playing in the background as I do so. I seem to have a distinct memory of this track actually being used as a magic power in a Shrek film… but that doesn’t count. Even if you don’t recognise the name, you’re bound to have at least heard the guitar riff somewhere before. Alternatively, a surprisingly okay cover was produced by Trent Reznor for the Hollywood version of The Girl With the Dragon Tattoo, if you’re bored of the Led Zeppelin version. Other honourable mentions from Led Zeppelin include “Kashmir”, "Whole Lotta Love”, and of course “Stairway to Heaven.”


Another Day in Paradise - Phil Collins (...But Seriously, 1989)

http://www.youtube.com/watch?v=AVXkZ_YNprI&hd=1

Ah, Phil Collins. I quite like the output of Genesis, and was torn between including this track (a track from Phil Collins’ solo career) or Land of Confusion (by Genesis themselves). Including both seemed like cheating. Eventually, I decided on this. You may think this track rather depressing. It doesn’t have a particularly happy tune, and its lyrics talk about society’s disadvantaged. However, socio-political message aside (I refuse to talk politics), I think it’s brilliant. The riff, in my head, brilliantly captures the “life goes on” mentality of everyday activity, and just makes me picture an early morning and late evening commute, in endless succession. Again, another track I’ve attempted to replicate myself on the keyboard.

As for other honourable mentions, from Phil Collins’ solo career, you can have “In the Air Tonight”, which I’m sure many of you remember from a gorilla; and of course from Genesis as a group, you have the aforementioned “Land of Confusion”.


Times Like These - Foo Fighters (One by One, 2002)

http://www.youtube.com/watch?v=jbURRtnV-Y4&hd=1

The Foo Fighters. I’m not a massive fan of their very heavy stuff, but some of their other songs are pure gold. Actually, that’s a bad metaphor. Gold itself is not massively useful. It gives you nice shiny jewellery, and is used to flog overpriced video and audio cables to you (really, gold-plated cables have no appreciable quality difference to their more basic metal counterparts), but that’s pretty much it. Palladium would be a better choice. Chemistry tangent over. Where was I. This song also has an incredibly good acoustic version too, which I recommend you search for on YouTube. Ignore the weird photographic video. I had to trawl through six pages of results to find an HD quality YouTube upload of this song that wasn’t either a live performance, or a godawful cover. Actually, no, that’s not true, there was a studio version on the third page, but the uploader put some silly introduction on the start, and I hate when YouTube people do that with music. Anyway. Other honourable mentions from the Foo Fighters include “Learn to Fly”, “Rope”, and “Summer’s End.”


Violet Hill - Coldplay (Viva la Vida or Death and All His Friends, 2008)

http://www.youtube.com/watch?v=o0QQZZ0xDAw&hd=1

In somewhat of a contrast to the guitar-heavy Foo Fighters track, this is a rather melancholy Coldplay track. Not as melancholy as Fix You, but still different in tone. This track has the right mix of guitar choruses (chori? chorodes?) and quiet solumn piano verses to make it stand out. Has a very good effect on the ears if you’ve been listening to it at increased volume, and suddenly after the loud cacophony of the guitar/drums combo, it jumps to the quiet piano part. There's a cover floating around on YouTube by Pendulum (I believe younglings today refer to them as a "drum and/or bass" ensemble). It's... different, but surprisingly not bad. Worth a listen, I'd say. Honourable mentions from the rest of Coldplay’s repertoire include “Speed of Sound”, “Lost!” and “Charlie Brown.”


Higher Ground - Stevie Wonder (Innervisions, 1973)

http://www.youtube.com/watch?v=X00XdLhFLSg

We’re into my top 7 now. Not that I’d actually ordered the songs up to this point. In fact, I specifically passed them through a data randomising algorithm to put them in an undetermined order. Mostly because I could. From this point on though, I’m specifically setting the order. Stevie Wonder. Everything this man produces turns to palladium (see, my analogies persist from paragraph to paragraph). Higher Ground is definitely my favourite track of his. To correct something I frequently saw while searching for a YouTube video of this track, I must sternly inform you that the Red Hot Chili Peppers (although they made a reasonably passable cover), did not make this track – Stevie Wonder was and always has been the original artist. Speaking of YouTube, apologies for not being able to find an HD-quality link. Everything in HD was either live, the Red Hot Chili Peppers cover, or people covering the Red Hot Chili Peppers cover. I was dismused. Other honourable mentions include “Sir Duke”, “Living for the City”, and “Superstition.”


Green Onions - Booker T. and the MGs (Green Onions, 1962)

http://www.youtube.com/watch?v=rZF_F8r2hoo&hd=1

At number 6 is one of two instrumentals to pierce the upper threshold. I like instrumentals. Music doesn’t always have to have a vocalist whining on in the foreground about whatever troubled them over breakfast that morning. Besides, who doesn’t love a bit of the good old organ now and then. It’s an underused instrument these days. There’s little else to be said. The track’s simply that good. If you’re looking for something else with different instrumentals, but would rather have had a vocalist droning on, give “Golden Brown” by The Stranglers a try. Harpsichords also rule.


The Windmills of Your Mind - The Colourfield (Virgins and Philistines, 1985)

http://www.youtube.com/watch?v=41qiQSGDnoI

This is actually a cover I’ve thrown in at number 5. The original track is French, with the first English version (sang by Noel Harrison) appearing in 1968 in the film “The Thomas Crown Affair” (Steve McQueen, Faye Dunaway. Quite a good film. Did splitscreens before Kiefer Sutherland even managed to piece together his first interrogation as a toddler). It’s since been covered by innumerable artists from all over the show. The version by The Colourfield is in my opinion the best of these. Common to all, however, are the lyrics, and that’s my favourite part of the track. I don’t make a habit of critically analysing poetry, but if I did, I’d say those lyrics hit the spot pretty well. Apologies for the low-quality video, it’s quite an obscure cover and I couldn’t get anything better.


Frankenstein - The Edgar Winter Group (They Only Come Out at Night, 1972)

http://www.youtube.com/watch?v=CIZGzCq1Wys&hd=1

And here’s the other instrumental at number 4. Definitely more rock-oriented than Green Onions, and released about ten years later. This is one of those oddities in the music world that was originally released as a record’s B side, and yet has gone on to be a much bigger hit than its original A side accompaniment. Brilliant guitar work (and the keytar as well), a somewhat uncommon double drum solo, and some nice bass. What’s not to like?


Gimme Shelter - The Rolling Stones (Let It Bleed, 1969)

http://www.youtube.com/watch?v=zELCCbEAtDc&hd=1

At number 3 is The Rolling Stones. I couldn’t possibly have left them out of this list. The only difficulty was in choosing the superior song. Eventually decided on this one. As the link I’ve given you will tell you, this track has pretty much been introduced to a whole new generation through its use in Call of Duty Black Ops (1, not 2). Catchy tune, good vocals, what else is there to say. Perhaps I’m getting a bit tired and that’s why I’m saying less with each track. Should probably stop that. Other honourable mentions include “You Can’t Always Get What You Want”, “Paint It, Black”, “Waiting On A Friend”, and “Sympathy for the Devil”. That’s right. I’m giving you four. Recoil in horror.


Over My Shoulder - Mike & The Mechanics (Beggar on a Beach of Gold, 1994)

http://www.youtube.com/watch?v=tKiLGysBO7U&hd=1

Number 2 on my list of favourite songs goes to this track from Mike and the Mechanics. “But Karl! You lily-livered rapscallion of a nincompoop!” I hear you say, “Mike Rutherford was also in Genesis! Isn’t this cheating?” No. If you remember correctly, I posted a Phil Collins solo track, not a Genesis track. Yes, I recommended you listen to Genesis, but I did not include any Genesis tracks in the main list. Phil Collins is not Mike Rutherford, therefore there is no cheating. I am a man of my word. If I say I will post one track per band, then I will do exactly that. But I am also a neurotically pedantic moron - I will toy with the limits of my own rules without breaking them.

This track narrowly missed out on the top spot, but does have what amounts to sentimental value in the ghoulish void that comprises my emotional psyche, simply because this was the first CD single I ever played from my dad’s collection, myself, as a small child, back in the halcyon days of 1995. I still consider it a brilliant song today, and barring exceptional circumstances, it usually never fails to cheer me up. There’s an acoustic live version of this song on YouTube done by Carrack and Rutherford at Shepherd’s Bush (I think the channel is called Eaglerocktv or something like that) which is rather good – somehow making it a key lower manages to reinvent a song in my head. Another Mike and the Mechanics song you could listen to if you’re interested is “The Living Years”. This is arguably their more famous hit, and you’re bound to have heard it somewhere without really knowing it at the time.

And thus that brings us to the crux of this rambling monstrosity…




Behind Blue Eyes - The Who (Who's Next, 1971)

http://www.youtube.com/watch?v=e9-3RZkzpwM

There you go. Wasn’t that fun. The Who. Unofficially my second-favourite band, but officially the artists of my favourite song. I’ve used words like “brilliant” that many times in these two posts that calling this song “brilliant” just doesn’t fit the bill at all. It’s happy, it’s sad, it’s upbeat, it’s melancholic, it’s got a quietly reflective acoustic part, it’s got one of the thoroughly best electric guitar solos ever, the lyrics are interesting (and I can't help but feel a little bit of affinity), and the bass is pleasantly audible. This song manages to combine together just about everything I like in a music track.

I’m actually incredibly disappointed I couldn’t find an HD-quality version of this on YouTube. I trawled through twenty pages of results. These results consisted of loads of HD-quality versions of the Limp Bizkit cover of this song (and I must stress to the Internet again that that is a cover – Limp Bizkit emphatically did not make this song), loads of HD-quality covers of the Limp Bizkit cover, and loads of HD-quality “remixes” (I use the word loosely) of both versions, but not one single occurrence of The Who’s proper studio version anywhere… and it’s a shame, because the one I’ve linked doesn’t really have good stereo sound quality at all. If you absolutely must listen to a cover version instead, I’d actually recommend the one by Sheryl Crow. It’s much better than Limp Bizkit’s. Naturally this cover is in HD too.

Also, I’ve never seen them live in person, but from seeing them in video form numerous times, it’s rather impressive how Roger Daltrey and Pete Townshend are still playing as good as they were decades ago. I mean, both men aren’t far off seventy. When I’m seventy, I’ll probably be lucky if I can pour tea from a teapot, and yet the two of them can still leap around stages as if they were the age I am currently. Though Daltrey seems to be starting to look more and more like Jon Pertwee’s incarnation of The Doctor… not that that’s a bad thing.

If you’re want recommendations for other Who tracks, well, there’s a veritable cornucopia I could give you, but let’s go with the classics - “Pinball Wizard”, “Who Are You”. “Baba O’Riley”, “Won’t Get Fooled Again”, and the slightly lesser known “Bargain”, and “Naked Eye.”

 

 

But anyway, yes. There you go. When asked “What is your favourite song?” in future now, I can and will respond with “Behind Blue Eyes by The Who.” These thousands of words were obviously worth reading just to get that six word response.

So, on that note… thank you for reading, I’ve no idea how you actually made it this far (I’ve barely done so and will be thoroughly glad to go to sleep), but oh well.

Now shoo before I activate the electrified perimeter and send out the squadrons of attack turtles.

~Karl.

Sunday, January 27, 2013

Audio (1 of 2)

Good evening. It has been quite some time since I posted something on this page. The reason for this is mostly because I can never think of anything remotely interesting (or at least interesting outside the realm of my own rather boring brain) worth writing about. However, I am aware that many of you seem to like rambling monologues about music, and apparently believe that one’s music tastes are distinctly indicative of one’s personality. Naturally I’m somewhat skeptical, but I have little else to do this evening.

Somebody asked me the other day “What’s your favourite song?”, and that question threw me a little. I have twenty gigabytes of music on my hard drive; and my father and I between ourselves have amassed a triple-digit number of vinyl records, cassette tapes, and CDs. You’d think that out of all this, I’d be able to have came up with at least one favourite song in my twenty-two years on this planet… and yet I haven’t. Perhaps this is a slight personality flaw. Until 2011, I did not have a favourite band either. However, from 2011 onwards, I now routinely name REM as my favourite band. The eagle-eyed among you may spot that they split up in that year. My logic in not calling them my favourite band before then was simply because now that they’re no longer an active unit, the chance of them suddenly taking a banking turn “down the shitter” (to use the modern parlance) is now incredibly small. They were still my favourite band before 2011, I was just less likely to name them as such. And now you have a glimpse of how my brain works. I wouldn’t blame you for running.

Anyway, I digress. So what I have done for about an hour and a half this evening is go through my music collection, or at least that of it to which I have access from my computer here in Edinburgh, and narrow down a four digit number of tracks to a mere 28, one of which I shall distinctly name as my favourite song at the end. Or rather, at the end of the second post. If I did this all in one go, it would take me ages to write, and would be a hell of a lot to read in one go. Therefore, I’ll do the first 14 tracks this evening, and the second 14 tomorrow. If you don’t want to read rambling posts about twenty-eight songs, I suggest you leave now. Go on. Shoo.

Ah, you’re still here. Splendid. Where possible, I will include a link to the YouTube video with the highest audio quality I can find of the track in question, but the Internet being what it is, I cannot promise anything. Please feel free to ignore the actual video content of the videos. I certainly will be. So, without further ado…


Eight Days a Week – The Beatles (Beatles for Sale, 1964)

http://www.youtube.com/watch?v=NYiOrVq2c38&hd=1

Yes. A happy song. You have my permission to be surprised. Contrary to popular belief, I actually do like happy-sounding music. And yes, the song may be about a sickeningly happy relationship; a component of humanity I usually criticise for their slow-moving pavement traversals, and incredibly irritating public displays of face-munching slobbermania overuse of the word “snookums” affection; but I still like it. It’s a good song. You can’t listen to this song and not feel slightly happier afterward, regardless of whether you’re in a cringingly happy relationship with the apparent love of your life, or sitting alone in your dimly-lit bedroom with a cup of tea pecking out an overly wordy blog post on music tracks. I’ve purposely restricted myself to only one track, one band, in this little menagerie of music. While this is definitely my favourite Beatles track, other honourable mentions include “Across the Universe”, “Day Tripper”, and “Sgt. Pepper’s Lonely Hearts Club Band.”


Love Will Come Through - Travis (12 Memories, 2003)

http://www.youtube.com/watch?v=8mpC2kQ7fVA&hd=1

Contrary to what many of you seem to think, I do actually listen to music made after my year of birth. This is one such song from the metaphorical baby steps of the 21st century that I happen to like. Again, it’s another relationship-themed one. Don’t ask why. Personally my favourite part of this track is not the lyrics, but the riff that plays throughout the song. Like the Beatles track I mentioned above, it has this strange effect of making you feel better after hearing it. Who knows. Maybe my brain just works weirdly in that respect. Could never play it on the keyboard that well. Other honourable mentions by Travis include “Writing to Reach You”, and “Driftwood”… both of which are excellent tracks in my opinion, but they’re considerably less happy, so your mileage may vary.


If Today Was Your Last Day - Nickelback (Dark Horse, 2008)

http://www.youtube.com/watch?v=maINUv2H8A0&hd=1

Another modern song. Unlike the previous two, I actually like this one for its lyrics… and, in a move you won’t see repeated much in my brain, its music video. I like the “what if” message it consistently portrays. Would you be happy with the sum total of your life if today were indeed your last day? I doubt many of us could answer as affirmatively to that question as we would like. I know I certainly couldn’t give a positive response. For some peculiar reason, the tune makes me think of a town called Malahide, just north of Dublin. I really don’t know why. I may have been listening to it as I went through there on the train. Who knows. Other honourable mentions by Nickelback include the classic “How You Remind Me”, and the much more recent releases “When We Stand Together”, and “Lullaby”.


The Passenger - Iggy Pop (Lust For Life, 1977)

http://www.youtube.com/watch?v=EMsXpZTBDg8&hd=1

Back to the era of classic rock again. Unfortunately, if you're not a fan of classic rock, you may not want to keep reading - quite a few of these tracks will fall in there. Anyway. About a year ago, I finally acquired a car… but before then (when I wasn’t able to borrow my mother’s car, which was 90% of the time), I was a major user of public transportation. I used to travel by train from Castlerock down to my grandmother’s in Carrickfergus, a journey of about two hours, at least every other weekend. I travelled to and from Edinburgh via ferry, and trains from Stranraer to Waverley or vice versa. I have amassed a lot of miles on public transportation. Hell, I still use it a lot. I use my car for groceries, returning to Northern Ireland at the holidays, and trips that are conceivably better made by car than public transport. Otherwise, I will take the train… or reluctantly, a bus. This is quickly veering off topic. This track just perfectly reminds me of the endless hours spent in a creaky and cold carriage somewhere as it hurtles its way along the tracks on a dark and wintry evening.


Suspicious Minds - Elvis Presley (single, 1969)

http://www.youtube.com/watch?v=ZUtb0imkrIw&hd=1

Elvis. I couldn't not include Elvis here somewhere. It is somewhat impressive that artists such as Elvis, Frank Sinatra, and so forth, are still so massively well known many many years after the end of their respective musical careers, and indeed their deaths. Especially when you compare it to more modern acts which have already faded into time within the past decade or two. How many of you remember Steve Brookstein? Atomic Kitten? Spacedust? I could go on. But anyway, I think Elvis is brilliant, and it took me ages to single out this track from all his other stuff. Honourable mentions include "Jailhouse Rock", "All Shook Up", and the original (i.e. non-JXL) version of "Little Less Conversation".


One of These Days - Pink Floyd (Meddle, 1971)

http://www.youtube.com/watch?v=hT44cUPZQ2o&hd=1

Mention Pink Floyd to someone these days, and they will likely retort with one of two things - Another Brick In the Wall (accompanied by an awful rendition), or Dark Side of the Moon. Personally, I think their earlier album Meddle is somewhat underrated. It’s a very good album. This is its opening track, and my favourite on the record. Completely instrumental except for a single line, a magnificent bass line, and brilliant throughout. Very good to have in the background when you’re reading. Other honourable mentions from Pink Floyd include “Money” and “Time”.


Mystify - INXS (Kick, 1987)

http://www.youtube.com/watch?v=4HqBGXxPOkE&hd=1

Like my affinity for the black humour of the Grand Theft Auto series, my liberal attitude to social norms, and my predilection for off-roading, my fondness for 1980s music tends to evoke surprise in people. Statistically speaking, the 1980s constitutes the most represented decade in my music collection. INXS are a band from Australia, quite popular in the 80s. But anyway. I play the keyboard, or at least I attempt to. Naturally, therefore, I tend to like tracks which feature keyboards heavily in their mix, such as this one. It’s rather catchy, and grabs very well that weird new wave/rock mash-up combo that inhabits so many tracks from that era. An honourable mention goes to “Suicide Blonde”.


Grounds for Divorce - Elbow (The Seldom Seen Kid, 2008)

http://www.youtube.com/watch?v=yLeQqmT0OFY&hd=1

Once again taking a dip into the mire of the modern day and coming out with a valuable find. The guitars in this song are simply great. The lyrics don’t particularly stand out, but the way the tune fits together just works very well, and you can’t help but picture this track underscoring some sort of dramatic action moment in a film. Heard an instrumental version of this once as well, and it seriously would not be out of place in a film like Django Unchained or other modern “westerns”. Other honourable mentions include “Leaders of the Free World” and “The Night Will Always Win.”


Michael Caine - Madness (Keep Moving, 1984)

http://www.youtube.com/watch?v=E1SYBq9T47I&hd=1

One of the few Madness tracks not to feature Suggs on lead vocals. Also has a couple of spoken lines by Michael Caine himself. Surprisingly for Madness, this is actually a rather serious track, being about an informer in Northern Ireland during The Troubles. I just happen to like the tune, and aside from that I can’t actually think of any immediate reasons as to why I consider this my favourite Madness track. Oh well. Honourable mentions include “Elysium” and “The Sun and the Rain.”


Morning Glory - Oasis ((What's the Story) Morning Glory?, 1995)

http://www.youtube.com/watch?v=1gvrr-05WgQ&hd=1

And of course Britpop has to weedle its way in somewhere. I knew I was going to have an Oasis track in here somewhere, that much was certain, but unlike the Madness track above, a favourite didn’t leap out at me right away, and I actually had to sit and listen to a few of them. Eventually, Morning Glory won out. Again, I’m afraid we’re veering into the territory of “I like the tune” again. I much prefer the vocal talents of Noel Gallagher to Liam, who sings lead on this track. However, I didn’t think including Noel Gallagher’s High Flying Birds in this list was appropriate just yet. Honourable mentions go to “Acquiesce”, and “Hello.”


Under the Bridge - Red Hot Chili Peppers (Blood Sugar Sex Magik, 1991)

http://www.youtube.com/watch?v=-zLoRNMgmFo&hd=1

I unofficially list the Red Hot Chili Peppers as my third favourite band. It was only natural they'd crop up somewhere. Many people name this track as their favourite song from the “Chillies”, and unfortunately I’m going to have to join the sheep mentality. There’s a good reason for that though – it’s a brilliant track. I make no secret of the fact that I have a rather solitary life, and this track happens to capture the atmosphere of such things very well. It can also be oddly comforting to people when they’re feeling a bit depressed. You’d be hard pressed to find someone who can listen to the Red Hot Chili Peppers, and not like this song. If you’re wanting a slight variation, an a capella group called The Flying Pickets did a cover of this song, and it’s surprisingly good. Honourable mentions include “She Looks to Me”, “Slow Cheetah”, and the recent single “Look Around.”


Pictures of Matchstick Men - Status Quo (Picturesque Matchstickable Messages from the Status Quo, 1968)

http://www.youtube.com/watch?v=bcSMyhOktGs&hd=1

Ah, Status Quo. This is one of the few tracks on the list that I can actually play to a legible quality on the keyboard. Also wins the award for longest album name in here, so much so that I’ve had to reduce the font size to keep it all on one line, and thus my OCDness in check. This track did phase shifting and wave-warping long before “auto-tune” software became “hip”… or even before “software” became “software”… and still kept a catchy riff. Now why couldn’t modern artists follow the same principles. Interestingly enough, this was Status Quo’s only number 1 on the United States singles chart. But naturally, being from the United Kingdom, I don’t give a hoot about the United States charts. Honourable mention goes to “Rocking All Over the World.”


Dream On - Aerosmith (Aerosmith, 1973)

http://www.youtube.com/watch?v=uKu0mOy-RVY&hd=1

I didn't even have to consider other Aerosmith tracks, this song was always going to be in this list from day one. One of the few songs in existence I am not ashamed to actually sing. Tried to play it on the guitar, but like most things I attempt(ed) to perform on the guitar, it didn’t sound very good. I also must reluctantly admit that their cover of this song is probably the only track pooped out by the auto-tune collective known as “Glee” that I can willingly listen to and not fire into the Sun. Mostly because it only has two vocalists, one of which is Barney Stinson. It’s still not brilliant, but it’s listenable to. But anyway, this track is pure pyrometallurgically-extracted-and-refined awesome. An honourable mention goes out to “Dude (Looks Like a Lady)”, because who on this planet can’t appreciate Robin Williams air guitaring while dressed as an elderly lady.


Lady Writer - Dire Straits (Communiqué, 1979)

http://www.youtube.com/watch?v=tLYHZ8UEri4&hd=1

You see now why I ended that last paragraph with “lady” ? Well okay, no, that was a simple coincidence, but oh well, it’s amusing now. Dire Straits. Another band whose output has been consistently good. Similar sounding, yes, but luckily that particular sound works. It took a bit of work, but I’d have to name this as my favourite track from them. I keep saying this to people, but in my brain, this sounds like what you’d get if “Sultans of Swing” was fired through a mirror. Mirrors laterally invert things. They flip them side to side and show them in what I confusingly like to call “half-reverse”. Likewise, the riffs of this song sound like a key higher half-reverse version of those in Sultans of Swing. Sort of. Bleh, never mind, my imagination comes up with weird things when it’s got nothing to do. If you did Chemistry, all I’d have to do is say “chiral enantiomers”, and you’d be going “Oh yes! Of course!” and start taking your clothes off. Or not. Okay, I may have stretched the analogy a little far. I digress. Honourable mentions go to “Money for Nothing”, “Solid Rock”, and of course, “Sultans of Swing.”


And that’ll do for this evening. I shall return tomorrow with the final fourteen tracks. No, I’m not doing an audio transcription this time.

As you were.

~Karl.

Monday, June 04, 2012

May

Good afternoon, humans. I figured that rather than bore you with another philosophical essay on something that very few care about, I’d instead do a sort of “review” post. Basically, I mention a bunch of things I’ve played or read in the past month, and tell you what I think of them

(Later update: If for some reason you are an incredibly lazy person, click the speaker icons next to each section to have it read to you in my soothing Northern Irish accent.)

Computing

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Mobile-Friendly Interfaces:

Back in March, I decided I’d finally had enough with Fedora Linux. GNOME 3 is just irritating. It uses too much computing power, and it (much like Ubuntu’s irritating Unity interface and the horror that is Windows 8) assumes that what’s good for mobiles, PDAs and all the rest, is good for the desktop. Not so. On a mobile device, multitasking is not important. You’re not going to craft an important architectural design or business presentation entirely on your mobile. You’re not going to be developing applications in a complicated multi-windowed IDE, are you? But on the desktop, you are. And this is where the mobile-friendly interface just breaks down.

I can’t imagine a programmer is going to want to have to control his or her development environment by frantically swiping the mouse in certain directions. Touchscreens are all well and good where tablet computers are concerned, but on the desktop, they’re little more than an expensive novelty, and rarely used as the primary input method.

Windows 8 is the biggest offender here in that it seems to assume we only ever want one window on our screen at any time. Naturally, therefore, it appears that Microsoft must have gathered this data from the most moronic testers in the history of quality assurance. At the moment, I am typing this post in Windows Live Writer. But as well as that, I’ve currently got a Firefox window opened to Reuters’ news ticker, VLC Media Player is at the side outputting some calming jazz music, and Steam is currently running a download. I have this all on my screen at once. I can change tracks in VLC simply by clicking the little window at the side. I can see major global developments with a single glance to the top right corner of my screen. I can check on the progress of Max Payne 2 by simply looking to the side. This is what makes desktop computing damn well work.

A mobile user is not going to be doing all that at once. A tablet computer user, maybe, depending on how advanced their hardware is, but it’s again unlikely, because their input methods are more limited. Microsoft are assuming that the same work metaphors translate between mobile computing and desktop computing; and for being the people that practically invented home desktop computing in the early 1990s, they’ve managed to make such a surprising arse of it two decades later.

The Linux world is not much better. GNOME 3, for instance. Do you want some desktop icons? Even just a little shortcut to your home folder? Well, no, sorry, that’s not part of their “new vision”. The thing that practically makes a desktop – desktop icons – are nonexistent in GNOME 3 unless you download a configuration tool and fiddle with some options. And remember how you accessed everything through the Applications, Places and System menus at the top? Well, they’re gone too. Instead, you get a fullscreen “Activities” launcher, which is a nightmare to wade through, and takes at least a minute more than the old menus to launch a program. In fact, when I was still using a GNOME 3 shell (my old Fedora installation), I actually resorted to just using the Alt-F2 Run Application command to open everything, the Activities launcher got that irritating.

The supposed holy grail of Linux, Ubuntu, is no better. For the past few versions, it’s been pushing more and more to make people use its new “revolutionary” Unity interface. It’s basically just GNOME 3 with a slightly different launcher, a dock at the side of the screen, and desktop icons. It's better than GNOME 3, I’ll not deny that, but that’s like saying North Korea is better than Syria in terms of its progressive attitude to domestic policies. Additionally, with the latest Precise Pangolin release, they are aiming to completely replace menus within applications as well. Instead, when you press Alt, you get a lovely “HUD”, which you can use to type in the command you want. While yes, there is a certain nerdy charm in typing “play” and “stop” to control your media player, it just gets pointless after a while. It has no appreciable time saving over just using the menus.

This is all innovation for innovation’s sake, rather than actually improving life for the desktop user.

SL Logo

As such, I purged my Fedora 16 installation from my hard drive, and decided to regress back to GNOME 2, and replaced it with Scientific Linux 6.2. Now, for those that don’t know me, I’m a scientist. Therefore, having an operating system built by the people at CERN is something of a nerdvana. And it worked reasonably well. The system is derived from Red Hat Enterprise Linux, and offers a combination of long term stability and support that goes unmatched in the twice-yearly rolling release community of Ubuntu, Fedora et al.

The only problem is that it’s a bit cobbled together. The default repositories are missing quite a few things that a desktop user would tinker with, and your only solution is to play the dangerous game of toying with public repositories. It’s not quite as simple as just enabling everything and letting the update program go mental, because different repositories have different versions of key files, and if you don’t mix and match the right version numbers, the system will get angry. There isn’t really much guidance given as to how to sort this out, and if you do make a balls-up, God help you. The system is stable enough if you don’t screw up the repositories, I think I had about one crash in the entire time I used it. However, there was a major problem with Scientific Linux that led to me replacing it – it had a strange desire to always try to run my graphics card at abnormally high temperatures. I mean high enough that it would cause a thermal cutout if I just left the laptop for a while. Even after installing proprietary drivers and toying with power settings, it wouldn’t stop. It’s rather a shame really, given that the system itself only used about 350 to 400 MB of RAM, which is only a small fraction of the 4GB total. Perhaps it was just an issue with the x86_64 version that I was using, but I eventually ended up replacing it last month.

CentOS Logo

The operating system I replaced it with was CentOS 6.2. This is another RHEL-derived clone along the same lines of Scientific Linux, but without some of the bells and whistles. In fact, it’s actually designed to run on servers. A lot of the web servers you currently access are probably running on it. But this is of little concern, because much like the Windows Server family, it’s a surprisingly good desktop OS too.

It does suffer from the same repository problem as Scientific Linux, except that you’re not offered a host of alternative repositories out of the bag, meaning a new user is less likely to thoroughly destroy their system simply through software updates. It also runs GNOME 2, which means it has a low memory imprint, and more importantly, a useable interface. Yes, some of the software versions are a little outdated (the latest Firefox is only Firefox 10, for instance), but you can easily install higher versions separately if you wish. I haven’t had a single crash with it yet (barring one thermal cutout when for some reason the ventilator fan didn’t activate and I was doing a lot of digging in the package manager), and it’s guaranteed to be supported until 2017. I’ll obviously upgrade or change OS long before then, and I doubt I’ll even be using this laptop then, but it’s nice to know.

And that’s it for computers.

Games

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Well now, video games. Something that I had incredibly little time for during semester. Additionally also because trying to play them with my flatmate around just got uncomfortable. But now that my exams are over and he’s gone, I’ve had much more time to kick my Xbox and laptop into life.

GTA III Logo

Firstly, Grand Theft Auto III on the PC. Ages ago, there was an offer on Steam where you could download a massive pile of Rockstar games in a pack for the surprisingly cheap price of £27.99. Now, despite the fact I already have Grand Theft Auto IV on my Xbox 360, I decided to get it anyway. Mostly for the older games, which are only on older consoles, and I haven’t been able to play any of them since my old PS2 decided to stop working years ago. Plus, the price was a great bargain.

Anyway, I made it my mission to play through them in order from I all the way to San Andreas (stopping at IV because I already have it half-complete on the Xbox). Unfortunately though, I had forgotten that GTA I and GTA II don’t really have much of a story and are more sort of arcade games. Therefore, I jumped straight to GTA III. Instant nostalgia trip. Yes, the graphics are crude; yes, you can’t swim; yes, there are no [properly useable] planes; and yes, the music is all from the 1990s and 1980s, but that’s what makes it fun. As of yet, I actually still haven’t finished it and have just completed Portland, but that’s more sort of due to a lack of time than anything else. It runs swiftly enough on my little laptop, although I have to use a cooling tray because when Dell were making the Studio series, they sort of forgot that computer hardware needs ventilation, and so it has an irritating habit of overheating, even when playing 2D games like Terraria or Tiberian Sun.

Much like the Halo series (well, barring the few moments where Master Chief does talk), you can get a surprising amount of story out of a character that never speaks, and in Grand Theft Auto III, it’s all about climbing your way up the criminal underworld becoming more and more rich as you do. People who know me tend to be somewhat surprised that I like the Grand Theft Auto series, given that I’m a rather law-abiding quiet person. But then, that’s like saying everybody who likes Call of Duty is a trigger-happy maniac (Norwegian killer notwithstanding) (also, I like Call of Duty). I like the sandbox appeal of the game. I like the fact that you’re free to roam about. I like the fact that it’s both realistic and completely nuts at the same time. I like the fact that there are so many weird activities crammed into a Grand Theft Auto game that you don’t know what genre its trying to be. I like the fact that when you complete all the story missions in a GTA game, your completion total still only says around 50%. It’s also rather clever with its humour. Basically, it’s a game series tailored for adults, in the same way that Crime & Punishment is a book tailored for adults; and it comes with all the surprisingly-intelligent humour, challenge and depth an adult-tailored medium should contain.

Plus, they’re made here in Edinburgh, and that’s just amusing.

Portal 2 logo

Next up, Portal 2. Those of you who have played the original Portal know that this game had a lot of expectations to live up to, and I’m pleased to say it delivered them, and then heaped some vanilla ice cream on top of that and added a flake. The game continues on much where the original Portal left off, same character and all that, only now there’s slightly more in the game than just Chell and GLaDOS.

I originally completed it on the Xbox 360, then downloaded it from Steam when it was on offer as well, simply because of the “Perpetual Testing Initiative” – the game’s custom level builder. Believe me, I’ve got a mass of Inception-like and MC Escher-inspired ideas in my head.

As for what comes in the game itself, the puzzles are just as challenging as in the original Portal, and you’ve got a whole bunch of new toys that complicate things even more. In the original Portal, you had energy pellets, switches, deadly goo, moveable platforms, and cake. In this game, you have all of the previous (except the energy pellets, they got canned), plus lasers, excursion funnels, repulsion gel, conversion gel, personality spheres, singing turrets, a potato, and probably the wackiest man in the history of corporate executiveship – Cave Johnson.

Trust me, listen to a few of his lines and try not to laugh. Go on. Try.

Mass Effect 3 Logo

Lastly, I’ll move on to the game I’m currently in the middle of – Mass Effect 3. Those of you who have played the Mass Effect series will know that when anyone says they’re “in the middle” of the game, there is at least a few weeks’ worth of stuff still left to do. Picking up where Mass Effect 2 left off, the Reapers are invading and being the only person in the galaxy capable of picking your own conversation choices, you’ve got to do something about it.

Thankfully, you can import your Mass Effect 2 character from its save game, so my ginger-haired Commander Shepard that I created back in Mass Effect 1 and imported through 2 is still doddling about hiding behind conveniently-placed strategic cover and seducing mysterious environmental-suit-wearing space women (yes, I will admit to being a Tali person).

And once again, the depth of the game is staggering. The sheer effort put into coming up with a little story for every piece of tech, every historical event, every little pointless planet you happen across once and never come back to again once you’ve recovered the generic iartefact from its surface, is incredibly commendable. The fact that half the players will just rush through the game without reading any of this makes it even more commendable on BioWare’s part. Then again, it’s somewhat expected now that BioWare makes good in-depth RPGs. Ever since Knights of the Old Republic, it’s became an accepted inevitability.

Anyway, I haven’t completed it yet, I’ve only got as far as Rannoch, but there’s plenty to keep you busy. It seems that every time I take a trip to the Citadel between missions, I end up overhearing a bunch of conversations and receiving about fifteen new side missions to go look for some sort of inspirational artifact or old fossil or lost set of keys on completely random planets in the middle of nowhere. And naturally, because my Commander Shepard is the peace-loving tolerant galaxy-uniting Paragon type, I go and do all these. It takes time.

But as for the ending? Well, I’ll have to complete the game before I can give an impression on that, and at the rate I keep going to look for old books and Kakliosaur fossils in the Hades Nexus, it could be quite some time.

And that’s it for games.

Books

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As those who know me can say, I read a lot. Most of my evenings, contrary to the usual life of a university student, are spent indoors with a pot of tea reading whatever book I happen to be on at the moment. Some would say that’s a rather sad or solitary way to spend one’s time. To those people, I say “Go away” and gesture rudely from my window with an umbrella. But anyway, here’s what I’ve read in the past month.

Catch 22 Cover

First up, Catch-22 by Joseph Heller. I actually read this a long time ago, but didn’t quite get it all back then. And with good reason. This book is weird. Very weird. So weirdly discombobulatingly peculiar is the manner in which it jumps around in time; alternates between extreme wackiness, sober reality and dark comedy; and introduces endless characters; that it can completely alienate some readers, oh and everybody gets a share. Personally, however, I think it is brilliant. It’s not very often that a book can have me giggling on a crowded train like a hyperactive two year old, and suddenly deadly serious the next. The combination between overt humour, satirical observations, and plain black comedy is excellent, and doesn’t fail to deliver. If you’ve got patience, a particularly flexible brain, and don’t mind a bit of oddness, I’d certainly recommend it.

And Another Thing cover

Next up was And Another Thing… by Eoin Colfer. This book is officially part six of three in Douglas Adams’ Hitchhiker’s Guide to the Galaxy series. Adams had planned to write a sixth book in the series, but never got round to it before his untimely death in 2001, and so in 2009, Colfer was asked to fill in. The book picks up immediately where Mostly Harmless left off and, well, I don’t want to spoil the story, so you’ll have to read the book and find out who survived the Grebulon death rays. Overall, Colfer does quite a good job at making this book feel like part of the series – the same random humour is there (as well as Random humour), the characters all feel the same, and it fits into the “continuity” well. Some jokes are re-used a little here and there, but that can be forgiven, Adams himself did the same thing. Overall, a good continuation, and if you’re a fan of the H2G2 series, I’d certainly say give it a go. Although you should read the other five first.

The Partner Cover

Lastly, one I just finished yesterday, was The Partner by John Grisham. This is a bit more of a sane story compared to my previous two choices, but is no less good. This one’s a bit more odd for Grisham in that the protagonist is actually the “criminal” of the story. It’s about a guy called Patrick Lanigan who fakes his own death and makes off with $90 million from his law firm. But it all makes sense in context, and is an interesting book. Also serves as a bit of an up-yours to the flaws of the American legal system, but that’s maybe just me reading too far into it. If you like legal fiction, or you’re a fan of Mr Grisham, then this is more of the same, and doesn’t disappoint.

Moby-Dick Cover

I have a bit of a soft spot for classical literature and so now I have started re-reading Moby-Dick by Herman Melville. It’s always fun. Can’t help but be reminded of The Wrath of Khan now though.

 

 

 

 

That’ll do for now in terms of rambling. Thank you for reading, etcetera etcetera. I’ll leave you with the musical stylings of Mr Stephen Platt, who has guitarilysed the boss themes from the original three Sonic the Hedgehog games, and hasn’t done a bad job of it.

Carry on.
~Karl.

All images used are copyright of their respective owners and all that crap. Go away.

Sunday, March 11, 2012

Computation

A couple of days ago, I was discussing Windows 8 with a computer programmer, "talking shop" about the dynamically different, touch-happy interface, Metro design language, ARM compatibility, all that crap, and it put my mind into a bit of a nostalgic mood. It started me thinking about when I first got into the computing world.

The year was 1994. I was a sprightly three year old quickly approaching my fourth birthday. The Cold War was only three years gone, and the world was still in that post-Hunt for Red October awkward dénouement, still waking up. Until this point, I had very little contact with computers. Not technology, I'd seen plenty of that - my dad's record player, amplifier system, keyboard and Sega MegaDrive were among my favourite things to systematically poke and prod at. Naturally, he was not as fond of this. I'd even deconstructed several of my own toys and an old landline telephone in a childlike effort to understand how they worked. But all this was older technology. Wires and transistors. The era of the desktop had yet to take hold of the British public-at-large.

The most I'd ever seen of a computer were scraps of footage on the television, and a glimpse of an ominous black TV-like thing in my granddad's office that he grumblingly refused to bother himself with and sent his secretary on all the operational courses for instead.

Then, one Saturday evening, my dad and granddad appeared with some large cardboard boxes. Naturally, as a sprightly three year old I was more concerned with the possibility of using the boxes to make a fort than I was the actual contents, but I was curious, so while my granddad was tactically overseeing my dad carry the heaviest boxes up the steps, I asked him what they were. His response was, "Those? Ahh! That, my boy, is a computer. Bloody irritating things, but you're going to be seeing a lot more of them, no doubt of that." I can remember silly things like this as clear as day. It's sometimes disconcerting. Anyway, where was I. Ah yes.

Time passed, and I hadn't paid much attention to the strange beige boxy things sitting in a little corner of our living room. My dad spent several evenings pressing buttons on it to make words and numbers come up on the screen, and putting little black squares in and out of it, but that was all I'd seen. I'd later realise that he was in fact using it to do work on, and that the squares were floppy disks, but I was only three.

Every time he switched it on, it made a screechingly loud beeping sound while something on the screen counted up (this was in fact the BIOS checking how much RAM it had to work with), and then after a bunch of text flashing up quicker than I could read, a blue box with a weird-looking flag popped up with the words "Windows 3.1" below it. Of course, I didn't know what Windows was at this stage, and thought it was something to do with the actual window at the other end of the living room.

But again, time passed, and I grew more curious. I began to operate the beige box myself, pressing this button and that, figuring out that the weird white thing on a cord was used to move a little arrow about, and unfortunately finding out that you were not meant to turn it off by simply flicking the plug switch up. I grew more proficient with Windows 3.1. I finally figured out that it was the name of whatever the computer used to bring up the boxes and icons on the screen. I still couldn't quite understand why it was called "Windows" other than the fact that the things I called "boxes", it called "windows"... which seemed a bit silly to me. They were quite clearly boxes. They're still quite clearly boxes.

I could open Solitaire. I could *play* Solitaire. I could write things in Notepad. I discovered the childlike joys of Microsoft Paintbrush (the predecessor to Microsoft Paint). I learned what floppy disks were (and again couldn't quite understand the name given that they were quite clearly rigid). I also discovered something called MS-DOS, and interpreted it as some sort of weird puzzle game, given that everything I told it to do resulted in the cryptic "Bad command or file name" response.

Months passed. The year was now 1995. The world itself was pretty much the same, but my world had changed completely. I had started primary school. New things, new people. And in November 1995, a month shy of my fifth birthday, my dad brought a bunch of new floppy disks home from work, and my computer also changed completely. For you see, someone decided to make a sequel to this lovely Windows thing I was toying with. They called it "Windows 95", and while I still found the name "Windows" silly, I could at least see the logic of where "95" came from... and then started to retroactively question the old "3.1". Anyway.

Like what primary school was to my previously solitary childhood, this was a major paradigm shift to my computing world. The nice Program and File Managers that I had learned to work with, and kindly prompt to do basic tasks, had completely gone. Instead I had something called a "desktop", which seemed less friendly and much more territorial, with things called *My* Computer and *My* Briefcase, and something called a Network Neighbourhood. There was also a weird button in the corner that was absolutely fixated on the idea I use it to start any task.

This was unexplored territory. Over the past year I had got used to the blue and white of Windows 3.1, I had mastered even such complex tasks as changing the colour of the background behind the programs, and thanks to a helpful little text file I found buried inside Windows, I had managed to get this weird MS-DOS thing to say more than "Bad command or file name". But now everything was blue, grey and green. Things were no longer where I thought they were. I was lost. But I was also curious. I would re-learn how to do all the tasks I had taught myself over the past year. I would learn how to use this new Windows Explorer thing. Luckily I was relieved to find that the Paint program was much the same as my old friend Paintbrush.

But then I discovered something brilliant. Buried inside this strange Start menu was a game. A game better than Solitaire. Better than Minesweeper. Even better than that Hearts game I couldn't play and really began to doubt was a game. Space Cadet Pinball! I had played pinball machines before, but now I had one in my home, on the little beige box in front of me. For many years to come, this would be a brilliant way to relieve a moment of boredom here and there. I had also discovered something else around the time - the CD drive had a use. Until then, I saw it as little but a funny curiosity - I could open and close it at various rates to pass the moments while Windows loaded. I had noticed that my dad's music CDs fitted in it, but Windows 3.1 didn't like it when I put them in, and complained about not knowing what to do with them. But now... now it was different... it had learned! Windows had gained knowledge! It could do something! I put the discs in the computer, and it would play them!

To a five year old, this was brilliant - I obviously didn't completely understand the concept of software ugprades and media codecs and all that crap at the time - in my eyes, the computer, much like myself at this new school, was being taught, it was growing up. I began to learn that it was possible to teach this computer new tricks.

Again, the months and days went by, time went on. The world went on. Things happened. Nothing happened. It was now December 25th 1997. I had just turned seven years old. My computing knowledge had tripled in the past year. I had experience of using computers at school. But evidently they weren't as powerful as the one I had at home - they still identified themselves as Windows 3.1 and were much bigger and noisier. I had now understood the concept between hardware and software. I knew what processors were. I knew what RAM was, sort of. And under the careful supervision of my grandfather (much to my parents' irritance), he allowed me to use his tools to take a peek inside our computer - to see what exactly made it tick. It was an eye opener. For Christmas that year, he had got me a game for the computer - something called "SimCity 2000". This was the start of me beginning to use the computer for more than just satisfying intellectual curiosities.

I had also began to learn more about something called The Internet. Ever since Windows 95 was installed, there was an icon on my desktop called "The Internet", but it never did anything except bring up an error message, so I thought nothing of it. In 1997, however, the Internet was not the same phenomenon it is now. Social networking had not yet taken control of our lives. People still relied on big bulky encyclopaedias. Postboxes, paper and the landline telephone were still the communication methods of the day as far as the public was concerned, especially in a backwater region like 1990s Northern Ireland.

1998 therefore rolled into our lives. This was the year of the Good Friday Agreement. The Troubles had (officially) came to an end. We were going to have something called an "Assembly" and vote in elections. Throughout my childhood, I had come to regard the "campaigns" on both sides as rather pointless, but I had weirdly accepted them as a part of daily life. I had lived in Carrickfergus. This, and the Greater Belfast area in general, was not a happy place of enlightened thinkers and non-violent pacifists in the 1990s, so I had seen my fair share of news stories, damaged buildings, taped-off streets, and even by the grace of two hours had avoided being a bomb victim myself. While I couldn't understand all the politics behind it, I could understand the whole matter was causing a bit of a mess, and was glad to hear it was apparently over.

More changes came in the computing world this year too. The public was catching up. The idea of a home computer was becoming popular. Suddenly, people were buying their own computers. This Internet thing was starting to be talked about more. And our computer changed yet again. This time, my dad unhooked the computer from its various life-supporting cords, and disappeared with it to his friend's house for a few hours. He then came back, and set it up again, saying "Try having a go with that now."

With a curious look, I switched it on. Not a lot seemed different. It took half a second longer to start up. It's sad that I could notice this, but I did. Then, I noticed, the loading screen was different. The clouds were all still there, it still said "Microsoft Windows", but it now said "98", not 95. I was excited. I remembered the massive change that came when Windows 3.1 was upgraded to 95, and wondered what weirdly new mystery that the computer was about to throw at me.

Sadly, I was to be disappointed. There were a few little differences. "My Briefcase" became "My Documents". The Start Menu looked different. There were new desktop backgrounds. The Explorer windows were bigger. But it wasn't a big change. It was literally just an upgrade. Although, I did notice that when I looked in side the slightly bigger My Computer, it gave me a nice little pie chart of how much disk space I was using, and it was here I noticed the hard drive was bigger. Two whole gigabytes, instead of the 1.2 I had been working with since 1994. This was interesting, I could put more stuff on the computer than I could before. But it wasn't revolutionary. It wasn't mind-wiping. I wasn't faced with the task of re-learning three years of computer skills, that was a plus... or was it.

Let's fast forward the clock again. August 2002. I was just over eleven and a half years old. Life was about to change again. Primary school was finished. Seven years in which I'd seen and learned a whole lot of new things. I was about to head off to start seven years at Dalriada, and had no idea what those seven years would bring or be like. At this point, another part of my life had to come to an end.

My knowledge with regards to computers was quite good at this point - building on my experience with Windows 3.1 and 95, I quickly grasped the ins and outs of Windows 98. I could perform all the basic tasks you'd need from a computer - I could do some homework in Microsoft Works, and later Microsoft Word. I had a small set of games I could play to pass the time. MS-DOS was even no longer a puzzle to me - I had found out what it actually was, I could make it properly do things, and honestly began to enjoy using it. The computer had still never been connected to the Internet - dial-up access was expensive at this point in time, and didn't seem to be worth the cost. However, thanks to a lone computer in Castlerock Library, which was still a building and not a mobile truck at this point in time, I was proficient in what it could do and what I could make it do.

My little computer, however, could no longer keep up. Back in 1994, and throughout the mid-1990s, it was a top-of-the-line computer. Faster specifications than most people needed. It could work wonders, and reigned supreme. But now, in 2002, with the blue user-friendliness of Windows XP spreading across the planet, it could no longer manage. It was aged. It was trundling through tasks that the computers of 2002 could do in seconds. I could forsee it outliving its usefulness. I didn't want to see it go. This beige box had been a major part of my life for eight years. It had outsaw the 16-bit DOS era, it had survived the 32-bit revolution, and was there at the dawn of the Dotcom Boom. It had seen the world recover from the end of the Cold War and the breakup of the USSR. It had seen the new global stage find its feet in Bosnia and Chechnya. It had seen the turn of the millennium, two Prime Ministers, and two US Presidents. But it was a product of its own generation. It was having trouble adapting.

I had considered many options to save it from decommission. I was in no mood to just give up. My main plan was to upgrade it to Windows 2000, which would be more cost-effective than a straight jump to XP... but that ran into a wall when I found the creaky motherboard couldn't work with 21st Century RAM chips - 16 MB was beautiful in 1994, but in 2002, it was a laughing stock, and wasn't enough to handle any contemporary operating system. Additionally, the world was becoming more obsessed with what was previously a niche technology developed by a bunch of computer companies - Universal Serial Bus. USB. This did not physically exist in 1994, and so my computer had no comprehension of it. Its bread and butter were serial and parallel ports. Again, a technology that worked brilliantly for the 1990s, but just couldn't handle 21st Century demands. Also, the little 800x600 CRT monitor that had served my visual needs so well for eight years was becoming horribly outsized by its younger counterparts. I had considered a complete motherboard replacement, I had even considered a complete OS change to this new-fangled "Red Hat" thing I had been reading up on. But... eventually, you have to accept that no matter how many times you shock a flatline, they're going to stay a flatline.

And so, in August 2002, a new computer entered the household. Its predecessor lived on, of course, but only in a secondary capacity. Confined to a dusty corner of the spare room, where, like its surroundings, it would gather dust, and fade, while the world moved on.

That is where the tale ends. The story of my first computer. I'm impressed it survived so long. It was still working perfectly when I reluctantly put it into storage in 2008. Fourteen years on a little Pentium processor... not Pentium Pro, not Pentium 3, 4, or 5 processor, not a Pentium Dual Core Super Spangly Shiny-M processor, but an *original* Pentium. 100 MHz clock speed. And managing its entire life on 16MB of RAM. The laptop I'm writing this on has 4 GB. That's 256 times more. The printer in the corner of my room probably has more than 16 MB of RAM. I'm surprised the little thing could hang on.

Of course, as time went on, I adapted to the new computer, I upgraded it multiple times, and eventually had to replace it again in 2007 with my current desktop. Luckily, my hardware knowledge has increased exponentially since 2002, and I've custom-built, deconstructed, and reconstructed half the crap inside my current desktop so that it will be able to survive until at least 2015. My laptop, as well, has a similar internal setup. I don't like buying new machines when the old ones can hang on just as well.

In the ten years since my first computer was put out to pasture, I finally managed something I could never do while it was in service - make my own programs. Actually teach my own computer new tricks without anyone's input. I learned C#, Java, Python, and a reasonable bit of C++. I put that to use - contributed anonymously as a developer and tester to several Internet projects, and semi-anonymously to others. I had managed to make a reasonable bit of money (for a teenager) in my spare time by upgrading, repairing and building computers for people... but by the time 2009 was rolling about, I was getting tired. Computers were becoming less fun, and more corporate. It was becoming less about the challenge of what you could get a computer to do, and more about how you could wow the audience with the new shiny shiny of the month. Computers were starting to take the brain out of brainwork. I didn't like the way this was going, I was no longer getting any enjoyment from what I did, and I was getting sick of being the "computer guy" every time somebody gets a simple error message. So, in October 2010, I decided to take an indefinite leave of absence from the computing industry. I no longer pay the same attention to computer publications. I resigned from the two projects I was still on the roster of. I no longer pore over every bit and byte of the latest Windows beta. I'm not completely out of sync with developments, but I'm no longer part of the process.

The world's got to move on, technology's got to move on. But I'm a chemist, not a computer scientist. And I haven't looked back. But perhaps one day, I'll clamber over the boxes of my attic, blindlingly swing around the darkness, and uncover one set of boxes in particular in a secluded pile, blow the dust off them... and go back in time.

Bloody irritating things.




Well, my post seems to be more about nineties nostalgia than computers, so here's a song from the 1990s that always makes me picture the 90s when I hear it. Also was drafted as an emergency guitarist by a friend for a youth club thing one New Years' Eve and played it there. That was an experience, and a whole other story.
http://www.youtube.com/watch?v=JFSLFBAJdBI

Also, YouTube's embeddable video thing irritatingly now no longer lets me cut off the video portion and leave only the play controls. The full-size embed boxes take up too much space, so I'm afraid that for now there will be no more audio transcription of my posts. You'll just have to read.

Sunday, February 05, 2012

Freedom


(As usual, if reading gives you severe cerebral pains to the point you need audio versions of basic instruction manuals, use the above interwebular doodad. Otherwise, read the below words instead. They're pretty much identical.)

About an hour or so ago, I was asked a question on Formspring, "What is freedom?". I was tempted to reply back with "The ability to ignore philosophical clichés", but felt that might be a little bit too mean, so I thought I'd have a crack at considering it.

Now, this is a bit of a dilemma that people have been pondering for over a thousand years, so naturally I couldn't come up with a simple answer to the questioneer's inquiry that would fit within the safe confines of a sane Formspring response. I had typed about four paragraphs when I decided it would work much better as a post here, especially since I haven't posted anything here in quite some time.

In my mind, freedom is a very relative thing. No living human is ever truly "free". We're always constrained by something, be it economics, the law, social conventions, routines, even our basic biological instincts and hardwiring.

In the halcyon days of being a kid, 99 times out of 100, you will be irritated by the rules. Some draconian commandment from authority that prevents you staying out after 8pm, playing near the much-more-interesting main road, or eating your own weight in chocolate. Naturally, as kids we don't grasp that these rules protect us from drunken yobs, road traffic accidents, and severe hyperglycaemia, but that's not the point. We're always under the impression we're somehow downtrodden in life. That there are always better straws to have drawn.

But think what happens if you circumvent those constraints I mentioned up above. You'll eventually empty your accounts, or the markets will turn against you, or you'll get arrested, or fined, or at the very least you'll make a lot of enemies. Some boundaries are necessary in life. As a civilisation, we realised this long ago. A pleasant little 2000 year old story anthology specifically says "Thou shall not kill". Without reasonable fences on our basest capabilities, we'd devolve into rabid anarchy and undo millions of years of evolutionary development.

Of course, people always try to circumvent such restrictions, but they never permanently succeed.

Even at the simplest level, the human body needs nutrition and oxygen to live. That little fact can never be ignored. No matter how many restrictions you "dispose of", your life is always bound by this basic rule. In my mind, complete freedom from biological hardwiring would not be a good thing. It's what makes you jump out of the way of that oncoming car. It's what gives you the adrenaline to run to someone's rescue. It's what gives you emotions. It's what damn well keeps your heart thumping, your lungs aerating, and your intestines processing without you having to tell them to do so.

I may be a cynical and sorry excuse for a human, but I damn well wouldn't want to get rid of what little occupies that ghoulish void I call my conscience / heart / whatever emotional centre suits the conversation. The contents aren't all pleasant, but I'd rather live with that than have absolutely no emotion, no sense of right and wrong, no ethics, or any of that stuff.

Anyway. To me, freedom is the ability to wear your dressing gown and pyjamas all day because you damn well want to. Freedom is the knowledge that you could walk down to Waverley Station right now and grab a train to Penzance if you really wanted to. Freedom is being able make yourself a large breakfast and spend half the day reading a book and playing Pokémon simply because it's what you feel like doing. Freedom is something as simple as being able to go cook yourself noodles at 2am because you bloody well feel like noodles at 2am! Sure, all this has a pile of dependencies and limitations, but to me, freedom is *having* the ability to damn well do what you want *within* the dependencies and limitations of your own existence.

I'm not saying people shouldn't strive to be more than they are, absolutely not. That would be equally worse for humanity. But absolute freedom is both an impossible myth, and something I don't think the human species could survive with. I could ramble on all day on this, but I'll stop here.

Carry on.



And the song I have for you that I think could relate to "freedom", or the desire for more of it, is "Revolution" by The Beatles.

Tuesday, August 09, 2011

E.T.


(For those who can’t be bothered reading or need something to send them off to sleep. What’s below is a less pause-filled and stuttery transcription of this anyway.)

Two little kids asked me about a few weeks ago if I believed in alien abductions. Now, once being that age myself, I know how the imagination tends to whirl into overdrive, so I asked them what they meant by 'alien abductions'.

"Ye know, little grey men and all that, comin' along in flying saucers and liften ye from yer bed in the middle a' the night and takin ye te the moon an stuff."

Now, I still had ten minutes to go until the bus reached my stop, so I decided to go along with this line of conversation and replied with "I believe there are probably aliens, but I'm doubtful they come along and steal sleeping Americans from their beds." I also thought it best to not mention the various stories of somewhat brutal operations and probings that some of these 'abductees' supposedly underwent, and decided to leave them with the nice notion of some aliens coming along and taking them for a joyride around the Sea of Tranquillity.

But anyway, as this went on, they proceeded to ask me if I knew anyone at NASA, as I'd responded to something earlier on by saying I was a scientist (I thought it best not to trouble them with the distinctions between Chemistry, Microbiology and Astrophysics). Luckily, by then, my stop had came up, so I got up, rang the bell, and left them to it.

But the children do raise an interesting question that just about anyone will consider at some point in their lives. "Is there anything out there?"

Obviously, I can't give you a definitive answer to this, and I doubt I'll ever be able to do so within my lifetime. Interstellar space is simply too big for practical communication along any lines we're familiar with. A simple radio message can take tens or hundreds of years to reach another star system.

But our planet is by no means quiet. Audiovisual transmissions, wireless communications, radio signals, all of these are shooting out of our planet like bees from a hive. Of course, much like real bees, the signals do degrade over time. But, assuming they have some way to clean up the signals and assuming they'd for whatever reason be interested, the inhabitants of Alpha Centauri could be tuning into the first ever episode of The Big Bang Theory, or just finding out about the death of Pavarotti. The citizens of Pollux could be getting ready for a new series of Fawlty Towers, and the denizens of Errai could be watching Captain Kirk take command of the Enterprise for the first time.

If any of these hypothetical species wanted to say something back, however, assuming they haven't invented some kind of FTL communication, they're bound by the same laws of relativity as we are. A message from Alpha Centauri to here would still take four years, or 32 from Pollux, or 45 from Errai. Now, Earth's been making an electromagnetic footprint for quite some time, so therefore I've drawn four logical conclusions:

A. The Pessimistic line: There are no species with the capability to receive or respond to messages within our 'neighbourhood'.

B. The Apathetic line: There are no species with the desire to receive or respond to messages within our ‘neighbourhood’.

C. The Primitive line: The messages are in a format we can't receive.

D. The Optimistic line: They're still en route or they're lost.

Now, both C and D imply a definite existence of nearby alien life (hence why I've called D "Optimistic". Also, just to clarify, we're the "primitives" I've used to name C). A and B leave a degree of uncertainty, but either way do not bode well for extraterrestrial contact, hence "Pessimistic".

Personally, I tend to waver between Apathetic and Primitive. Like us, any nearby civilisations may have a century's worth of literary works revolving round the theme of an alien invasion, and just don't want to risk it (there are many physicists, including Stephen Hawking, who advise we don't try to contact aliens incase they do invade). Or also, like us, their economy simply doesn’t fund space projects. Or they might not have sent a message by EM waves (the only thing we can receive). Who knows.

To go back to the kids' original question, do I believe in alien abductions? No, I don't. At least, not in any form the media describes. If a civilisation has the capability to successfully traverse interstellar distances, then they surely have the capability to hide themselves from our society, and have more discreet ways of studying us than kidnapping drunk residents of New Mexico.

But do I believe aliens exist? Let me put it this way. There are fifty billion planets within the Milky Way galaxy alone. Zoom out and there are billions of galaxies, and that's just in our limited-range view of the universe. I would find it worrying... no, it would actually scare me, if we were the only "intelligent" lifeform to have evolved within all that vastness.

And to those of you who are about to play a creator card with a "humans are special" powerup, your respective deity or deities are horribly, horribly wasteful creatures if they only made one such species in a universe this size. It's like building a fifty mile long particle accelerator and only playing with the reserve auxiliary control console's LCD backlight setting. Or buying a massive bookstore and only reading the brand label on the little box above the door that pulls it closed.

But, to quote the old cliché from the hallowed oracle of extraterrestrial fiction that is The X-Files, "the truth is out there," … one way or another. 

Now go away.


And the aliens-related song I have for you is “Englishman in New York”. Listen to it and you’ll see why. I couldn’t find a non-live version of my favourite cover (by a group called The Flying Pickets) on YouTube, but this Razorlight cover should suffice.